I. A Trail of Rosaries: Meeting My Great Grandmother on the Other Side of the World

Note: This is the second in a series of reflections on our recent ancestral journey to the Azores (the Introduction is on my mid-October blog here. It’s seven pages, so settle in and enjoy.
(Left: Maria Rosario Guerena de Mendosa and her other rosary.)
The Azores is a tiny archipelago in the heart of the Atlantic, about which most North Americans know nothing. Typically, folks with whom we spoke about our pilgrimage responded, “You’re going where?” One couple who didn’t—instead they immediately exclaimed, “We’ve always wanted to go there!”—was Carl Duerksen of Winnipeg and Cheryl Dyck (Elaine’s bestie going back 35 years). Their enthusiasm hatched a plot to take this trip together, a stroke of fortune for us, as they proved to be great traveling companions along a sometimes-challenging itinerary (all trip photos below by Elaine, Carl, Cheryl or Ched).
Some have the vague notion that these islands are “off of Portugal”—but few (including us at first) realize just how far. The map at right shows how São Miguel, the administrative and logistical center of the archipelago, is almost a third of the way between Boston and Lisbon.

So we were surprised and relieved when we discovered that one can fly directly to tiny Ponta Delgada airport from a few northeast cities like New York; not going via Lisbon saved us 1800 miles! [An Autonomous Region of the Portuguese Republic, the Azores has political and administrative autonomy, but is an integral part of Portugal and the European Union.]
It was still, however, a long haul from California: three flights across 6,000 miles, 48 hours and multiple airport delays, which was hard on my very compromised lower back. Nor did Elaine and I metabolize the jetlag well (in both directions). Fortunately, on the way there we were invited by our dear friends Cynthia & Mauricio Salgado to spend the night between flights at their place in Manhattan. Which is where the theme of this reflection commences.
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A few years ago Mauricio, a former BCM intern and now professor at NYU, called to tell me he was going to walk the Camino de Santiago in Spain with some close friends. After reflecting on how we might support him in his pilgrimage, I decided to give him a rosary with which to pray along the journey. After my dad died in 1991, I had discovered among his few items of family memorabilia two rosaries, and have kept both as precious artifacts of a woman I never met: his grandmother, Maria Rosario Guerena. Unlike Mauricio, I wasn’t raised Catholic, so I gifted him the less aged rosary, which was in reasonably good shape for being more than 100 years old. He told me after his adventure that it helped enrich a remarkable Camino.
Over a lovely breakfast in the East Village before the second leg of our flight, Mauricio pulled out a contemporary wooden rosary, explaining that he’d received it from a fellow caminante in Spain. He wanted to reciprocate by offering this rosary for my pilgrimage to ancestral places. I was very grateful, as I’d thought about bringing Maria’s older rosary with me to the Azores, but as it is tarnished, brittle and held together by a safety pin, I decided to leave it draped around a picture of Maria on our wall at home (pic above).

I wore this new one through the night flight around my hooded black sweatshirt like a monk, praying as a mantra the famous verse from poet Antonio Machado: “Caminante, no hay camino, se hace camino al andar” (“Traveler, there is no road; you make your road by walking it”).
Flores and Corvo islands are at the far edge of the archipelago—the margins of the margins—150 miles from the middle islands and twice that distance from São Miguel. Flores is often called the westernmost part of Europe, though to me it often felt more like the Two Thirds world, given its remote location, small population (4,000 inhabitants, fewer than our tiny hometown of Oak View), history of oppression, and relatively traditional lifeways and culture (more about all that in future reflections).

We finally landed in Santa Cruz das Flores on October 1st, just before sunset, the SATA Bombardier turboprop touching down like a hawk on the small airstrip clinging to the edge of a cliff overlooking the sea. Feeling quite emotional, I was the last person off the plane, then stopped on the runway to touch the ground in reverence (slowly bending down as far as my bad back would allow). An airport official immediately hollered at me to keep moving; I turned and retorted: “This is where my great-great grandfather was born, and I am the first of his descendants to come back. Let me offer a prayer!” He backed off, nodding solemnly and muttering: “OK, be quick… But you should be touching the soil.” “De acuerdo, my friend,” I smiled, and bowed my head for a few seconds before moving on.
Outside the little terminal, while my compañeros were getting a little rental car, I sat on a little wall and wrote the first lines of a journal (right). I was feeling the weight of carrying four generations of Francisco Mendosa’s progeny to his homeplace. I was determined to bring a sheet of paper with pictures of my dad, grandma Ynez, and great grandmother Maria everywhere I went, so they could finally behold this island that none of us knew or had seen. It seemed important that we find lost ancestors and stories together.

All four of us (driver Carl included) gripped our seats during the half hour it took to navigate the 11 miles of the narrow, windy “main” road to Lajes, on the southeastern tip of Flores. It was here that Francisco was born two hundred years ago. We had to park a hundred meters away from our Air BnB (Cheryl found one even here, on an island with only one hotel), and carry our luggage up a narrow, crumbling alleyway too steep to risk in the car. Below us lay a small port, and even through dusk and drizzle, I could make out an industrial landscape of cranes and cargo containers (they were still, we learned, rebuilding the tiny harbor from a 2019 storm that destroyed its breakwater). This “unpostcard view” was initially disappointing, but over the week became strangely relieving, as I realized that Flores’ minuscule sea- and airport were the extent of modern transportation infrastructure on this island, assuring that life here remains slow and barely integrated into the modern world.
That first night in Flores I walked out alone on the porch and gazed into the gloom, suddenly fearing that perhaps my quest to “connect to something here” was Quixotic. So I raised my head to speak to the ancestors on whose behalf I’d come (I confess this as I write on the eve of the All Saints/Souls Triduum).

I whispered first to my dad: “Well, I’m finally here, 35 years after you left us. And I’ve brought your mom, and her mom, and you with me.” Then, to Francisco (left, ca. 1915): “I’ve brought us, your descendants, to this hill by the sea from which you departed 178 years ago under duress, never to return. In the mystery of time and spirit, we are all here now for a short time, waiting to meet you and your people, to make the Circle whole.” I felt tears welling up. “But all I have are questions and potsherds and a few hunches. There is so little to go on. So, it’s up to you, who didn’t pass on your story, to help us out now. Please, guide us to those who can pull back the veil.” Then I went inside and collapsed into a deep sleep for 11 hours.
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Friday, our first full day of exploration, keyed on an appointment with Luis Vieira, director of the Museu das Flores. Of the many cultural guides I’d identified and attempted to correspond with prior to the trip, Luis was the only one who indicated he would be available during our stay. So I put this meeting before all else, suspecting it would make or break my aspirations for the week; after all, Luis is the chief curator of the island’s history and culture. But I feared I might only get 15 minutes with him. Our crew headed back to Santa Cruz in the rain, found the museum, and to my relief Luis was waiting for us. He greeted us warmly, and after pleasantries, I nervously asked if he might have a bit of time to spend with us to answer my many questions. Recognizing I was serious about this encounter, he summoned his colleague Sylvia to translate, and invited us to sit down together.

The museum is housed in the former Convent of São Boaventura, which I suggested was an immediate connection, since Elaine and I had traveled all the way from San Buenaventura! Luis smiled, and led us into a large meeting room next door in the former chapel of the Church of São Francisco (left). We proceeded to talk for two solid hours (right), covering everything I’d hoped to confirm or correct.

This included: how the Azores were the first place west of Europe to be colonized, by Spanish and Portuguese maritime empires, inaugurating the “Age of Discovery/Conquest” in the 15th century; aspects of mid-19th century life on Flores; and my genealogical potsherds. (I’ll write more about all of these in future episodes.)
It was a beautiful conversation, and we departed calling each other “cousin.” And I happened to have the perfect gift to symbolize this new connection with Luis. This was thanks to artist-theologian Ted Lyddon Hatten of Dovecote Studios in Iowa, with whom we often collaborate. Upon hearing of our Azores pilgrimage, Ted had texted me that he would send me a bird carved from an oak branch to take with me and leave there. It would become part of his Bird2Bird art installation, which he explains below, “spans the four hemispheres of this troubled planet”:
It is my response to a world that increasingly feels like it is coming apart at the seams. By offering a physical connection between two distant points thousands of miles apart, it aims to foster peace/shalom/salaam. Two birds carved from a single branch, ibid-dendrite, are placed on opposite sides of the world stitching two halves together with an invisible thread, an unseen suture. As one bird makes its way to an island in the Atlantic, the other remains landlocked at Dovecote Studio, Indianola, Iowa. In addition to the Azores, Bird2Bird is connected to the Philippines, Cambodia, Northern Ireland, New Zealand, Faroe Islands, England, Denmark, and Zimbabwe. In the works: Spain, Japan, Ecuador, and Gaza. [See an elegant video of Ted’s creation of these birds.]

“Give it to whoever needs it there,” Ted wrote me. The bird arrived just before our departure to New York, and was lovingly received by “cousin” Vieira. It now resides at Flores Museum.
As we were leaving, two thoughts suddenly occurred to Luis: “Hey, did you know that starting tonight is the annual weekend festa at the Church of Nossa Senhora do Rosário, right near where you are staying in Lajes, and where your Francisco would have been baptized? It is a central cultural event that you really shouldn’t miss.” Dumb luck? I wondered; probably not. “Oh, and you should look up Ron da Silva, who lives on the outskirts of Santa Cruz. He’s a Californian, like you, and is a genealogical sleuth who loves helping people find their people. He’s helped me find a distant relative.” In true island style, Luis had neither an address or contact number, but insisted we “couldn’t miss” Ron’s place on our way back to Lajes.
Luis was right—on all counts. Over the next 24 hours, Ron would confirm, correct and expand my genealogical information about Francisco’s family—including his baptismal record from Lajes church—and offer to introduce me to a third cousin living in town. (That’s a story for the next episode; I’ll focus here instead on my revelation at the festa.) Luis’s “afterthoughts” made it clear to me that Francisco had heard my desperate petition for help in the dark of night. Because they opened up our week on Flores like a magical book.
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The road from Santa Cruz to Lajes ran right by the church, and as we returned from the museum that afternoon, we could see activity for the festa ramping up, with tents, stalls selling traditional food, and folk milling around. We grabbed some fried dough from one of the stands and inquired about the schedule (since this commemoration was something only villagers would attend, there was no publicity). I ducked into the church for the first time, where a handful of older women were scattered across the pews, chanting the rosary. I couldn’t wait for Sunday’s traditional procession.
That evening I walked down to the sea from our lodging, and turned to gaze up at the steep bluffs above. The church near sat the cliff, facing eastward, keeping vigil across the vast Atlantic like a sentinel. In 1587 the original church, located where the cemetery now is, was burned down by English privateers, who sacked the town and countryside. The sanctuary wasn’t rebuilt for another two centuries, and then continually refurbished over another two, completed in 1960. The festa was now in full swing; light, music and the smells of barbecue wafted down through the thick night air.
Not until that moment did the obvious, simple echo finally penetrate my consciousness like a jolt of ancestral revelation. Francisco Mendosa had named his second of four daughters Maria Rosario after this church. Mary of the Rosary. He had been baptized there, and it was the center of village life where his family eked out a living. This was surely his way of hanging on to, and passing on, such an important piece of his soul, of easing his saudade. Yet I could not have known this except by coming here.

I’ve always felt more of a connection to Maria Rosario than to others in the Mendosa family line, probably because my dad did. Always regal in the old photos (left, late 1920s), she seemed to me to embody the strength and dignity of her Californio heritage. But suddenly, I felt her presence and spirit surround me existentially, our relationship no longer mediated by old pictures and story potsherds. Through the genealogy of that name, I finally met her, here on the other side of her and my world.
Of course, I still don’t know much about her. She was born in the mountain town of Sonora, CA on November 29th, 1863, the third child of Francisco and Ynez. She married Mexican-born Louis Guerena in 1887 in a Catholic wedding at St. Patrick’s, and honeymooned in far-away San Francisco. Guerena, who was blind in his left eye and later suffered a leg amputated above the knee, ran a tobacco business and saloon in Sonora. They had two children: Ynez Belle (my grandmother, b. 1887) and Frank Louis Jr. (b. 1889). Maria and Louis built a house south of the Opera Hall in 1898, and later moved to Modesto, CA, where Guerena bought his own bar. He passed in 1919, a year after Francisco Mendosa.
Maria moved to San Francisco to live with her son, though she remained active for more than 50 years in the local Sonora chapter of the Native Daughters of the Golden West, an organization dedicated to preserving California’s pioneer history. Her daughter Ynez and new husband Edward Myers, an engineer with the U.S. Rubber Company, also moved to “the Bay City,” and the two families were close. In 1923 my father, Edward Jr., was born, their only child (right, Maria holding him).

While Ynez was not afforded opportunity for advanced education, her brother Frank went to Stanford, then law school, and became a prominent member of the state Attorney General’s office (he was involved in trying to mediate the famous west coast Longshoremen’s strike of 1934). Tragically, Frank’s promising political career was cut short when he was accidently shot and killed by his young son while hunting in 1937. This trauma was witnessed by my father, who never got over it; the one time he told me the story I saw him cry for the first time. Undoubtedly, dad’s mother and grandmother endured this further loss by leaning on their Catholic faith (something my dad left behind). As a child I witnessed how Grandma Ynez loyally attended mass at the local Holy Family church in suburban L.A., and I assume that Maria was equally devout, as suggested by those two rosaries. After Frank’s death, as noted in my Introduction, Maria moved in with Ynez and family, sharing a room with a teenaged Edward, insisting on speaking only Spanish with him (which inspired dad to study in Mexico City between high school and colleage).
Maria Rosario died in 1942, and is buried in the family plot in Sonora, which we visit and tend every couple of years. Like her illiterate father Francisco, she left no journals or accounts of her life. My grandmother never spoke of her to us kids, and my father only rarely. There is no one left to tell her story. Yet a trail of rosaries brought me into her presence.
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With all this stirring in me, I couldn’t sleep Saturday night, so got up and journaled for hours. I reflected on the fragmentation and silences that ran through the Mendosa family system: from Francisco’s forced abandonment of everything he knew; to Maria’s and my grandmother’s early losses of husbands and Sonora homes, and resulting dependence on their children; to my dad’s distance from all of us five kids—not to mention their respective alienation of assimilation into whiteness. I have been shaped and mis-shaped by such erasures and heavy doses of saudade. There is so much to metabolize from this pilgrimage!
The next morning I’m groggy, but it has finally stopped raining, so we all go check out the little black sand beach beside the port before the afternoon mass and procession. I have long waited to baptize myself in this ocean, and there I thanked God for this amazing place, and the ancestors for their assistance (right). Both water and air are 72 degrees, and I greedily challenge the sun to come out for the first time during our stay—which it does ten minutes later! Elaine and I are surprised to see pieces of sea glass everywhere on the beach—something that no longer is the case back home, having long been replaced by plastic. I gather a piece for each of my siblings; collecting it was something we used to enjoy doing together 60 years ago.


After cleaning up, Elaine and I walk further up the hill to church, which is packed. We stand leaning on the back wall, the only tourists there. We’re surprised by a passionate, 25-minute homily from the new priest, who I spoke with briefly after the service. The statue of Senhora do Rosário is then picked up at the front of the church and placed on a pallet carried by four very sturdy men. They process up the aisle behind the congregants, then stop out at the front of the church, where the priest prompts a recitation of the rosary (left).
A brass band strikes up traditional music, and the statue leads the procession around the village, men and women marching slowly in rhythm to the music. The parade stops in front of the hospital, and blesses the old folks out on the porch in their wheelchairs. Walking behind them, taking it all in, I am deeply moved by Mary of the Rosary framed by the Atlantic (right). Francisco may have been forced from this very place long ago, but he christened his daughter Maria Rosario with its memory. On this All Saints Triduum, may their memory be blessed. ¡Presente!

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Postscript. When Elaine and I moved to Oak View in 2005, the yard hosted only weeds, with the exception of two invasive exotic plants: a giant Robinia tree in the middle, and hundreds of Pink Ladies around the perimeter.
We were zealous converts to a native plants-only orthodoxy, and set about “cleansing” and relandscaping. Within a year the tree collapsed of its own weight (thankfully not while we were praying under it), and we used its firewood for years; native oaks and sycamores now flourish around the garden. The flowers, however, took years to remove, survivors always popping back up. (We did note that whenever we put boxes of bulbs we’d dug up out on the street for the taking, they disappeared in a day). This year we laughed at how twenty years later a few stragglers still persist.

One of the first things we noticed on Flores were that Pink Ladies grow everywhere here in the wild. Native to South Africa, they had migrated all the way up the coast to the Azores centuries ago. We laughed again; how ironic, we thought. Then at the festa we saw how Senhora do Rosário was surrounded by those very flowers (left). So we laughed a third time, now at ourselves and the righteous war we had waged on this flower, only to discover that it is held sacred to Mary of the Rosary.
I’m not sure how I will make sense of my epiphany of Maria Rosario in the Azores. But for now, it is enough to have placed her picture and rosary at the center of our Dia de Los Muertos altar. And next year, after we salvage and restore those few bulbs, she’ll be accompanied here by Pink Ladies.
Note: This is the second in a series of reflections on Ched & Elaine’s ancestral pilgrimage to the Azores. It first appeared in the Sept-Oct 2026 BCM Enews.
